By Susan Bainbrigge, Jeanette Den Toonder
Because the book of her first novel in 1992, Amélie Nothomb maintains to have interaction and to impress her readers via her exploration of the fluid limitations among good looks and monstrosity, strong and evil, myth and fact, in addition to by means of her interesting presentation of early life, anorexia, and the abject. In Amélie Nothomb: Authorship, id and Narrative Practice, the 1st full-length learn in English of Nothomb’s paintings, those components are provided and interpreted from quite a few views, with the members targeting a unmarried novel or evaluating varied texts. constructed from a set of essays on her autobiographical and fictional works, with contributions from her anglophone translators, it is also an interview with the writer, a preface through the eminent author and critic, Jacques de Decker and a bibliography of secondary works. Nothomb’s works and the serious responses to them are contextualized in a basic advent and arranged lower than the subsequent key issues: autobiography and gender id, representations of the physique, and narrative perform. This assortment is an important source for college students and students of twentieth-century modern literature and gender experiences
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Additional info for Amélie Nothomb: Authorship, Identity and Narrative Practice
By Shoshana Felman (Baltimore: Johns Hopkins UP, 1982). 17. 02. 18. Leslie Heywood, Dedication to Hunger: Anorexia Aesthetic in Modern Culture (Berkeley: University of California Press, 1996), pp. 17–18. 19. Hilde Bruch, The Golden Cage: The Enigma of Anorexia Nervosa (Cambridge: Harvard UP, 1978), p. 70, my emphasis. 20. Margaret Higonnet, ‘Speaking Silences, Women’s Suicide,’ in The Female Body in Western Culture, ed. by Susan Suleiman (Cambridge & London: Harvard UP, 1986), p. 69. 21. , p. 74.
8 Amélie-san ﬁnds herself conﬁned in this society, and it is in fact a woman, Fubuki Mori, who arrests Amélies-san’s ascent of the corporate ladder. Women are presented as victims in Hygiène de l’assassin, ‘victimes particulièrement pernicieuses puisqu’elles sont avant tout victimes d’elles-mêmes, des autres femmes’ (HA 67). Bainbrigge & Den Toonder: Amélie Nothomb 26 page 26 désirée pries Childhood is presented as a problematic utopia, an escape from this victimization. In Le Sabotage amoureux, Nothomb deﬁnes her child self as a little girl, a third sex, separate from the other two sexes (male and female), and maintains a superiority of childhood for ‘les petites ﬁlles’, little girls.
Subsequent references in the text will appear as ST followed by the page number. Bainbrigge & Den Toonder: Amélie Nothomb page 21 Self in Fabula 21 7. Marguerite Yourcenar, Quoi? L’éternité (Paris: Gallimard, Biblos, 1990), p. 813. 8. Richard N. Coe, When the Grass was Taller, Autobiography and the Experience of Childhood (New Haven & London: Yale University Press, 1984). 9. Michel Leiris, L’Age d’homme (Paris: Gallimard, 1973), p. 29. 10. Michel Picard, La littérature et la mort (Paris: Presses Universitaires de France, 1995), p.
Amélie Nothomb: Authorship, Identity and Narrative Practice by Susan Bainbrigge, Jeanette Den Toonder